Presentations

All oral presentations will be held in Auditorium 1 at the University Library.

 

Paper session A – Monday 30 May 11:00-12:30 – Instruments

Session chair: Sergi Jordà

Dan Overholt.
The overtone fiddle: an actuated acoustic instrument.
(Pages 4-7).
bib | pdf | abstract ]

Matthew Montag, Stefan Sullivan, Scott Dickey, and Colby Leider.
A low-cost and low-latency multi-touch table with haptic feedback for
musical applications
.
(Pages 8-13).
bib | pdf | abstract ]

Greg Shear and Matthew Wright.
The electromagnetically sustained rhodes piano.
(Pages 14-17).
bib | pdf | abstract ]

Laurel Pardue, Christine Southworth, Andrew Boch, Matt Boch, and Alex
Rigopulos.
Gamelan elek trika: An electronic balinese gamelan.
(Pages 18-23).
bib | pdf | abstract ]

Jeong-Seob Lee and Woon Seung Yeo.
Sonicstrument: A musical interface with stereotypical acoustic
transducers
.
(Pages 24-27).
bib | pdf | abstract ]

 

Paper session D – Monday 30 May 14:30-15:30 – Gesture and cognition

Session chair: Rolf Inge Godøy

Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric
Bevilacqua, Olivier Houix, Norbert Schnell, and Nicolas Misdariis.
Gestural embodiment of environmental sounds: an experimental study.
(Pages 144-148).
bib | pdf | abstract ]

Sebastian Mealla, Aleksander Valjamae, Mathieu Bosi, and Sergi Jorda.
Listening to your brain: Implicit interaction in collaborative music
performances
.
(Pages 149-154).
bib | pdf | abstract ]

Dan Newton and Mark Marshall.
Examining how musicians create augmented musical instruments.
(Pages 155-160).
bib | pdf | abstract ]

 

 

Paper session E – Monday 30 May 16:00-17:00 – Frameworks

Session chair: Michael Lyons

Zachary Seldess and Toshiro Yamada.
Tahakum: A multi-purpose audio control framework.
(Pages 161-166).
bib | pdf | abstract ]

Dawen Liang, Guangyu Xia, and Roger Dannenberg.
A framework for coordination and synchronization of media.
(Pages 167-172).
bib | pdf | abstract ]

Edgar Berdahl and Wendy Ju.
Satellite ccrma: A musical interaction and sound synthesis platform.
(Pages 173-178).
bib | pdf | abstract ]

 

 

Paper session F – Tuesday 31 May 09:00-10:50 – Mobile music

Session chair: Sid Fels

Nicholas J. Bryan and Ge Wang.
Two turntables and a mobile phone.
(Pages 179-184).
bib | pdf | abstract ]

Nick Kruge and Ge Wang.
Madpad: A crowdsourcing system for audiovisual sampling.
(Pages 185-190).
bib | pdf | abstract ]

Patrick O’Keefe and Georg Essl.
The visual in mobile music performance.
(Pages 191-196).
bib | pdf | abstract ]

Ge Wang, Jieun Oh, and Tom Lieber.
Designing for the ipad: Magic fiddle.
(Pages 197-202).
bib | pdf | abstract ]

Benjamin Knapp and Brennon Bortz.
Mobilemuse: Integral music control goes mobile.
(Pages 203-206).
bib | pdf | abstract ]

Stephen Beck, Chris Branton, Sharath Maddineni, Brygg Ullmer, and Shantenu Jha.
Tangible performance management of grid-based laptop orchestras.
(Pages 207-210).
bib | pdf | abstract ]

 

 

Paper session I – Tuesday 31 May 14:30-15:30 – Machine Learning

Session chair: Jim Tørresen

Hernán Kerlleñevich, Manuel C. Eguía, and Pablo E. Riera.
An open source interface based on biological neural networks for
interactive music performance
.
(Pages 331-336).
bib | pdf | abstract ]

Nicholas Gillian, R. Benjamin Knapp, and Sile O’Modhrain.
Recognition of multivariate temporal musical gestures using
n-dimensional dynamic time warping
.
(Pages 337-342).
bib | pdf | abstract ]

Nicholas Gillian, R. Benjamin Knapp, and Sile O’Modhrain.
A machine learning toolbox for musician computer interaction.
(Pages 343-348).
bib | pdf | abstract ]

 

 

Paper session J – Tuesday 31 May 16:00-17:00 – Artistic reflections

Session chair: Øyvind Brandtsegg

Elena Jessop, Peter Torpey, and Benjamin Bloomberg.
Music and technology in death and the powers.
(Pages 349-354).
bib | pdf | abstract ]

Victor Zappi, Dario Mazzanti, Andrea Brogni, and Darwin Caldwell.
Design and evaluation of a hybrid reality performance.
(Pages 355-360).
bib | pdf | abstract ]

Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, and Wendy Mackay.
Inksplorer : Exploring musical ideas on paper and computer.
(Pages 361-366).
bib | pdf | abstract ]

 

 

Paper session K – Wednesday 1 June 09:00-10:30 – Musical interaction

Session chair: Norbert Schnell

Pedro Lopes, Alfredo Ferreira, and J. A. Madeiras Pereira.
Battle of the djs: an hci perspective of traditional and virtual and
hybrid and multitouch djing.
.
(Pages, Norway, 2011.
bib | pdf | abstract ]

Adnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, and Paul Stapleton.
Designing digital musical interactions in experimental contexts.
(Pages 373-376).
bib | pdf | abstract ]

Jonathan Reus.
Crackle: A mobile multitouch topology for exploratory sound
interaction
.
(Pages 377-380).
bib | pdf | abstract ]

Samuel Aaron, Alan F. Blackwell, Richard Hoadley, and Tim Regan.
A principled approach to developing new languages for live coding.
(Pages 381-386).
bib | pdf | abstract ]

Jamie Bullock, Daniel Beattie, and Jerome Turner.
Integra live: a new graphical user interface for live electronic
music
.
(Pages 387-392).
bib | pdf | abstract ]

 

 

Paper session L – Wednesday 1 June 11:00-12:30 – Sensing

Session chair: Dan Overholt

Jung-Sim Roh, Yotam Mann, Adrian Freed, and David Wessel.
Robust and reliable fabric and piezoresistive multitouch sensing
surfaces for musical controllers
.
(Pages 393-398).
bib | pdf | abstract ]

Mark Marshall and Marcelo Wanderley.
Examining the effects of embedded vibrotactile feedback on the feel
of a digital musical instrument
.
(Pages 399-404).
bib | pdf | abstract ]

Dimitri Diakopoulos and Ajay Kapur.
Hiduino: A firmware for building driverless usb-midi devices using
the arduino microcontroller
.
(Pages 405-408).
bib | pdf | abstract ]

Emmanuel Fléty and Côme Maestracci.
Latency improvement in sensor wireless transmission using ieee
802.15.4
.
(Pages 409-412).
bib | pdf | abstract ]

Jeff Snyder.
The snyderphonics manta and a novel usb touch controller.
(Pages 413-416).
bib | pdf | abstract ]

 

 

Presentation guidelines

To help things run smoothly during the paper sessions, please read the following guidelines.

Short paper presentations will be 10 minutes + 5 minutes for questions, and long paper presentations will be 15 minutes + 5 minutes for questions. The session chairs will be asked to be strict regarding the time-keeping, so please make sure that you are able to keep within the time limits.

Presenters are asked to introduce themselves to the presentation coordinator and session chair during the break before their session. We strongly advise to test the presentation/computer before the session starts.

The following is available in the auditorium where the presentations will take place:

  • Two VGA connections (two laptops can be connected simultaneously)
  • Stereo P/A system with minijack connection
  • A Windows 7 desktop (PowerPoint and VLC) with internet connection

We will keep some display adapters available, but we strongly recommend that you bring your own if your laptop does not have a VGA port.

If you have any questions, please contact presentation coordinator Kristian Nymoen.